“Genuinely chilling... [GUSSY is] an impressive achievement, not just because of how much is packed into it, but how Osborn deftly implies a bounty of emotions through inference and suggestion.

Osborn seems to have mastered the art of leaving an audience wanting more.”

“A soulful 16mm portrait... TRUE BLUE draws its characters perhaps as symbols of a faded American dream, but does so with complexity and warmth. David Warshofsky and Michael James Shaw are both riveting performers and the film built around them registers as a sad romance, to lost people and a lost place...”

“An interesting character study as well as a ‘post-LGBTQ’ film in the vein of [Barry Jenkins’] MOONLIGHT...

Both Warshofsky and Shaw fully inhabit their roles and the film possesses a certain earnestness as well as a somewhat prickly underbelly. It’s almost a bit tough to recall that it is less than 20 minutes... because it manages to create a world that feels real.”

“A familial sci-fi drama that surrounds its gruesome finale with moments of carefully constructed empathy, [SISTERS] is a study in abstract horror and potential mental illness. Osborn’s use of parallel editing, particularly in a sequence that alternates between a downstairs kitchen and an upstairs bathroom, earns its high-strung pathos.”

“The performances—Jade Lane as a weary single mom who’s unsure whether to believe her unpredictable sister; Lindsay Burdge as a fragile soul who’s convinced that E.T. has it in for her—are excellent, and the ambiguous story offers a clever way to examine a family that’s been fractured by forces (alien or otherwise) beyond its control.”